LA CEIBA
  • Home
  • Issue 2024
  • Past Issues
    • Issue 2017
    • Issue 2018
    • Issue 2019
    • Issue 2020
    • Issue 2021
    • Issue 2022
    • Issue 2023
  • Masthead
  • Contact

A Disconnection Between My Culture

5/27/2021

 

Abstract

​As first-generation citizens, there is this disconnection with our culture. There is a sense of pride and missing knowledge that causes this disconnection. When parents migrate to a new country, they begin to assimilate because life in Mexico is not the same as life in the U.S. Therefore, children from immigrant parents begin to identify more with their surrounding cultural environment. After attending the Guelaguetza festival, I learned about Oaxacan culture, which was a shock. I realize I do not connect with my own culture, unlike my parents or older siblings who were born in Mexico. I was introduced to a whole new world that feels like I am supposed to connect with, but I did not.
Picture
Jasmine Garcia
Jasmine Garcia is a returning student who is majoring in Health Administration. She intends to work for organizations that will help provide health care for disadvantaged individuals and families. Her paper was inspired by her struggles of connecting with her culture as she was born in the U.S.
Picture
When I was ten years old, my parents decided to go to the Guelaguezta festival in Lincoln Park, located in Los Angeles. At the time, I thought it was similar to the annual festival done on Olvera Street (also in Los Angeles) for Mexican Independence Day. At the time, I knew the basis of Mexican culture. For example, birthday parties entailed a variety of food, Spanish music, and piñatas. The day of the festival in Lincoln Park, I remember the summer heat felt like it would never end. People were waiting almost on top of each other to get in; my family remained in the car until people passed through the gates. My family is also very claustrophobic, and with the summer heat, it was better to wait for everyone to get in before we did. After everyone was in, I stepped into a whole new world–one I was not too familiar with. I had knowledge of my parent’s Oaxacan background, but I did not know the true meaning of their culture. I never questioned festivities or food because we are taught not to and taught just to look. Stepping through the gates, a decorative banner read “Bienvenidos a La Guelaguetza 2011,” promoting preservation of Oaxacan culture (Organización Regional de Oaxaca ORO). This was a welcoming sign to the world I had a disconnection to. 

Picture
My only knowledge about my parent’s background was that they were from Zimaltlan de Alvarez, Oaxaca, Mexico. Also, I knew little about the indigenous culture that ran on my mother’s side and about the previous generations that came before her. I did know, however, that they did not follow aspects of indigenous culture. Therefore, there was already a disconnection to begin with. When walking into the festival, tents were set up in the shape of a giant circle, making visible a stage toward the back end of the circle. As I walked around, I saw women wearing vibrant colored shirts with different colored ribbons in their hair. They were making and serving food I had not seen. Men were wearing white-colored shirts but with distinguishing designs. There was a variety of flowers everywhere–on clothes, purses, and hair. Additionally, there was gorgeous colorful hand-beaded jewelry on display. The smoke of sage could be seen and smelled from tents by people who were healers; it gave a sense of peace and serenity. As I got closer to the stage, there were handmade mannequins of newspaper and tissue paper painted in different colors. The mannequins were a representation of a man, woman, and child–a family. People were in line to take a picture with the mannequins and fireworks bursted in the shape of animals. After a while of walking, there was a delicious smell of the cuisines which drew my parents towards a particular tent, as the thought of food entered their minds.

After everyone was in, I stepped into a whole new world–one I was not too familiar with. I had knowledge of my parent’s Oaxacan background, but I did not know the true meaning of their culture.
Picture
My parent’s excitement for the food was quite overdramatic. Their excitement can be compared to a child receiving candy. Their eyes followed the women cooking their food, and a smile reached the end of their faces. I could not keep my eyes off the woman who kept mixing this light chocolate drink with her hands; it was a bit odd to see at first. It took a while for my parents’ food to be served, so I gazed into the million things that were happening. I saw girls and women wearing traditional clothing and carrying a basket of flowers on their shoulders heading towards the main stage. They were dancing to music I have never heard before. By the end of their dance, my parents were finally given their food. They got this odd-looking pizza made out of a huge tortilla with beans, cheese, lettuce, tomatoes, avocado, and meat. I saw their faces of satisfaction as they took giant bites of what I now know is called Tlayuda. I love this cultural plate; however, I was hesitant to take a bite because of the chapulines (grasshoppers) they had put on top of it. I took a few minutes to process the idea of eating an insect. Eventually, I took a bite and understood my parents’ reaction towards the food. It was delicious, the grasshoppers tasted like chili sauce. The Tlayudas were definitely a satisfying dish. By attending the event for less than 2 hours, I learned more about my Oaxacan culture than ever before.

Picture
Picture
Even though I knew the basis of Mexican culture, I did not realize the depth of Oaxacan culture. It was distinctive and different from other cultures in the states of Mexico. My knowledge expanded as I got to know more about my background. However, there was still this underlying disconnection. I felt there was no middle portion that filled in the gap that connected myself to Oaxaca. Since I was born in the U.S. and have never been to Oaxaca, I felt at a loss with the idea of being proud to have a background from there. I could not relate to my parent’s amount of excitement or pride. As the event continued, my mother bought tejate, which was the chocolate milk that the woman was mixing with her hand earlier. I did not hesitate to drink it since it smelled sweet. I soon found out it truly was the Oaxacan version of delicious chocolate milk. The ice cream had a rich taste, particularly a leche quemada flavor that reminded me of melted marshmallows. Even though in English it was burnt milk, it certainly did not taste that way. All around, the new dishes I tried and the dances I learned became integrated into my daily life. ​
Music plays a significant role in our lives. It expresses our emotions and history through its lyrics and beats. At the festival, there were people of all ages dressed up to dance on the stage. The girls and women had their make-up done. Boys and men had hats or masks on. Food even played a significant role in this festival because the dancers carried baskets filled with fruits. Others decorated a sign with the name of their barrio or placed a picture of the Virgen Juquila. They were showing their pride and gratitude for their culture. Moreover, most of the dance was to honor the gods and saints who have blessed the pueblo with food. It is a tradition to appreciate meals and honor ancestors through these dances. A dance that caught my attention was El Baile de Los Viejitos. The costume is a traditional all-white outfit with a sarape, colorful hat, and mask. It was an unusual yet humorous dance because boys from ages six to twelve were hunched down, dancing to the beat of the music. My thought process was, why are they hunching down? Does it not hurt their backs? Why did they dress like an old man? Being shy to ask my parents about its significance, I eavesdropped into their conversation. I know I should not have eavesdropped, but I sensed my family was too distracted with their excitement to answer my question. I was glad to know I was not the only one questioning the dance. A mother who was explaining to her daughter said that the dance was to honor the old gods or ancestors. Overall, there was a complex understanding of the dance as several people from Oaxaca have different beliefs about what the dance means. My parents looked like excited children at the fair, and surrounding families did as well. Although I was continuing to learn, I still felt a disconnection.
Picture
Picture
All in all, the Guelaguetza festival introduced me to Oaxacan culture, but it did not bridge my identity. I felt that my transition to the U.S. made my views different from my parents and older siblings. There are indigenous roots in Oaxaca but it does not mean we identify as indigenous or follow the culture. I do not perceive myself as Oaxacan, and it is most likely because I have never been there before. However, if I were to visit Oaxaca, it would probably fill in the middle gap needed to connect to my culture. I need to experience all customs personally, walking around the city and interacting with people that live in Oaxaca. I’m the first natural-born citizen in my family, so my parents’ and older siblings’ connections to Oaxacan culture will always be different. I find myself lost in the environment that I believe I am supposed to know, but at the same time, I also do not. Ultimately, I feel like there is more learning and exploring I have to accomplish to eventually connect with my community and culture.

Works Cited

“About Oro/Sobre Oro” Organización Regional de Oaxaca ORO. 1 April 2020
http://www.guelaguetzaoro.com

Comments are closed.
  • Home
  • Issue 2024
  • Past Issues
    • Issue 2017
    • Issue 2018
    • Issue 2019
    • Issue 2020
    • Issue 2021
    • Issue 2022
    • Issue 2023
  • Masthead
  • Contact